08-19-2015, 08:59 PM
I just finished this chair this week. It is Honduras mahogany with a water soluble mahogany dye. Grain raised before dying. Two coats Watco Danish oil after letting the dye dry for a couple days. Then a coat of brown furniture wax applied with 4-ought steel wool. I rushed the wax by applying it only 24 hr after the last oil coat but my wife needed to take pictures today so I didn't have any choice. It will have more luster after the next wax coat in a few days.
As I mentioned in a post here a few days ago, I had a lot of trouble with the grain raising step and then the paraffin coated back supports. I really like the color of this dye but I tried to find a non-grain raising dye to use instead but couldn't find anything that was even close to the color I get from this dye. It does add a lot of time and aggravation to the finishing step of the chair construction and in the future I will maybe stick to species of wood that look good without dye for the next couple chairs, at least. Here are some pics.
I think these chairs look best when the transitions are carved quite small. I also like the arms to be quite contoured with a significant upward lilt on the outside edge. I accentuate this by quite a bit of carving into the TS-formed cove for the arm blank.
Some detail of the joinery transitions.
Thanks for looking. Ken
As I mentioned in a post here a few days ago, I had a lot of trouble with the grain raising step and then the paraffin coated back supports. I really like the color of this dye but I tried to find a non-grain raising dye to use instead but couldn't find anything that was even close to the color I get from this dye. It does add a lot of time and aggravation to the finishing step of the chair construction and in the future I will maybe stick to species of wood that look good without dye for the next couple chairs, at least. Here are some pics.
I think these chairs look best when the transitions are carved quite small. I also like the arms to be quite contoured with a significant upward lilt on the outside edge. I accentuate this by quite a bit of carving into the TS-formed cove for the arm blank.
Some detail of the joinery transitions.
Thanks for looking. Ken