07-13-2015, 03:03 PM
Hi,
Am using Transtint for the first time. Is the liquid concentrate diluted in water, applied with a staining pad to ash. Ash was sanded to 180, sponged with water, then sanded to 220. Top coat will be Arm-R-Seal.
If you are wondering I did make a test piece, but this issue did not show up on it. The grain on my test piece was tight enough this did not happen to it.
After two coats I noticed a lot of the fibers were not being colored. The photos below shows it.
[image]
I Googled the issue and one web site turned up this result:
On wood with very pronounced pores like oak and ash, you may notice that the pores do not accept dye and remain light. This is a surface tension phenomenon related to the inherently high surface tension of water.
There are a couple of options in dealing with this.
1- Apply a pigmented stain over the dye
2- Use a paste wood filler to fill and color the pores
3- Seal the wood, then use a colored glaze or stain to color the wood
Frankly, I am not sure which to try, so wondering if there is advice here.
The whole point of using dye was to avoid the look of pigmented stains on ash and oak so not sure how #1 fixes the issue without significantly altering the look.
I have never done options 2 or 3 before in any manner, so those are completely new things to me.
Is a fourth option mixing up more transtint but in denatured alcohol and applying that over the water base dye already there? From what I have read alcohol shouldn't have the surface tension issues water does.
Hope you can help....Mike
Am using Transtint for the first time. Is the liquid concentrate diluted in water, applied with a staining pad to ash. Ash was sanded to 180, sponged with water, then sanded to 220. Top coat will be Arm-R-Seal.
If you are wondering I did make a test piece, but this issue did not show up on it. The grain on my test piece was tight enough this did not happen to it.
After two coats I noticed a lot of the fibers were not being colored. The photos below shows it.
[image]
I Googled the issue and one web site turned up this result:
On wood with very pronounced pores like oak and ash, you may notice that the pores do not accept dye and remain light. This is a surface tension phenomenon related to the inherently high surface tension of water.
There are a couple of options in dealing with this.
1- Apply a pigmented stain over the dye
2- Use a paste wood filler to fill and color the pores
3- Seal the wood, then use a colored glaze or stain to color the wood
Frankly, I am not sure which to try, so wondering if there is advice here.
The whole point of using dye was to avoid the look of pigmented stains on ash and oak so not sure how #1 fixes the issue without significantly altering the look.
I have never done options 2 or 3 before in any manner, so those are completely new things to me.
Is a fourth option mixing up more transtint but in denatured alcohol and applying that over the water base dye already there? From what I have read alcohol shouldn't have the surface tension issues water does.
Hope you can help....Mike