02-12-2017, 12:56 AM
(This post was last modified: 02-13-2017, 06:10 PM by Dave Diaman.)
Here is something a little different. Once again not technically woodworking but it has its applications. Fairly frequently I'm asked to reproduce architectural elements or carvings. In most cases it makes far more sense to make a mold of the item I am coping than to carve multiple pieces. In this instance a customer had a cherub carving he wanted copied. They wanted several copies that would be painted and he wanted two with a copper or bronze finish. Here is the process I used for this one.
Here I am pouring a liquid silicone onto the original the customer provided to make my mold. In some cases the mold is much more complex. Sometimes this involves building a mold by brushing a liquid silicone one and then creating a multi piece fiberglass support shell. Other times I could be hanging 30' in the air applying a silicone very similar to silly putty to make a mold. The silicone is a two part mixture just like epoxy and once mixed has a limited work time. You have to order the silicone to suit the application.
Here is a photo of the completed mold after cured and after we have done quite a few castings.
The first ones I'm making are what is called cold cast copper. This is done by dusting the whole mold with a very fine copper powder. After the mold is dusted I then mix 35/65 copper powder and two part urethane plastic. I use a black dye in the urethane to keep the mixture dark. My kids love all the mold making and be have made everything from garden gnomes to backing and ice trays. He you can see one of my sons brushing the copper urethane in the mold to cover all the surfaces. This mixture cures in about 3 minutes but the copper has enough time to settle to the surface. Once the copper urethane mixture starts curing I fill the rest of the mold with more black urethane. This is in case I didn't get perfect coverage that the areas that show through blend in.
The casting can be demolded in about 10 minutes but I usually wait about an hour. The mixture generates a tremendous amount of heat and will actually burn you without protective gloves after 10 minutes. Here is what I have after it comes out of the mold. It basically looks like a chunk of chocolate.
I then take some steel wool and work the surface to make sure I have copper exposed. You can actually stop here. The more you buff with the steel wool the more shine the casting will develop. This one needs to look antique. There are quite a few ways to achieve this. The way I have found that I like best is to put the casting in a fume tank with a 28% ammonia solution. Hold your breath!
This is also the way I antique a lot of my brass to get an authentic ages look.
After about an hour you get an even darkening of the whole casting.
Once I get this I then use a vinegar/ammonia/salt solution to wet the whole casting. As it dries you will have the characteristic tarnish the copper gets with age.
Once the aging is done you once again go back and hit all the high points with steel wool to expose the shinny brass. You can do a little or as much of this as you want. With this one I did a light buffing. This will allow the customer to pull it back more if they want to. Once the color is right you can cite it with a clear finish to keep the copper from tarnishing more again.
Here is a shot of my oldest son mixing a batch of the straight urethane with no copper powder. This product is almost water thin and clear until it cures. You can see in the photo how the part of the mold with the most mass and most heat is curing the fastest. The center of the mold that is only about 1/4" thick and edges are still clear. These areas will be the last to cure simply because there is not has much heat retained there. This stuff gets really hot when it goes. If I would have left the batch mixed in the mixing bucket it would have melted the bucket.
Here I am pouring a liquid silicone onto the original the customer provided to make my mold. In some cases the mold is much more complex. Sometimes this involves building a mold by brushing a liquid silicone one and then creating a multi piece fiberglass support shell. Other times I could be hanging 30' in the air applying a silicone very similar to silly putty to make a mold. The silicone is a two part mixture just like epoxy and once mixed has a limited work time. You have to order the silicone to suit the application.
Here is a photo of the completed mold after cured and after we have done quite a few castings.
The first ones I'm making are what is called cold cast copper. This is done by dusting the whole mold with a very fine copper powder. After the mold is dusted I then mix 35/65 copper powder and two part urethane plastic. I use a black dye in the urethane to keep the mixture dark. My kids love all the mold making and be have made everything from garden gnomes to backing and ice trays. He you can see one of my sons brushing the copper urethane in the mold to cover all the surfaces. This mixture cures in about 3 minutes but the copper has enough time to settle to the surface. Once the copper urethane mixture starts curing I fill the rest of the mold with more black urethane. This is in case I didn't get perfect coverage that the areas that show through blend in.
The casting can be demolded in about 10 minutes but I usually wait about an hour. The mixture generates a tremendous amount of heat and will actually burn you without protective gloves after 10 minutes. Here is what I have after it comes out of the mold. It basically looks like a chunk of chocolate.
I then take some steel wool and work the surface to make sure I have copper exposed. You can actually stop here. The more you buff with the steel wool the more shine the casting will develop. This one needs to look antique. There are quite a few ways to achieve this. The way I have found that I like best is to put the casting in a fume tank with a 28% ammonia solution. Hold your breath!
This is also the way I antique a lot of my brass to get an authentic ages look.
After about an hour you get an even darkening of the whole casting.
Once I get this I then use a vinegar/ammonia/salt solution to wet the whole casting. As it dries you will have the characteristic tarnish the copper gets with age.
Once the aging is done you once again go back and hit all the high points with steel wool to expose the shinny brass. You can do a little or as much of this as you want. With this one I did a light buffing. This will allow the customer to pull it back more if they want to. Once the color is right you can cite it with a clear finish to keep the copper from tarnishing more again.
Here is a shot of my oldest son mixing a batch of the straight urethane with no copper powder. This product is almost water thin and clear until it cures. You can see in the photo how the part of the mold with the most mass and most heat is curing the fastest. The center of the mold that is only about 1/4" thick and edges are still clear. These areas will be the last to cure simply because there is not has much heat retained there. This stuff gets really hot when it goes. If I would have left the batch mixed in the mixing bucket it would have melted the bucket.