05-21-2020, 08:41 PM
I am not normally a small box guy. But after the success of last year's teacher gift box, and the mileage it got him out of his 3rd grade teacher, my son asked if he could make another box this year. Time was fairly limited, but we decided to keep it very simple, with no miter keys or dovetails this year. Just a straight mitered box.
I picked up some Orange Agate from Woodcraft after their 20% off Covid sale. I've never worked with it before, or quite frankly even heard of it before. On the outside, it looked like a fairly tight, dense grain with a creamy color, not unlike holly, and then a very red heartwood core. I'm a sucker for contrast. I didn't have any plans for it other than a vague notion of making some sort of stool, bench, or side table out of it. But making a box for my son's teacher seemed like as good an idea as any.
Quick trip to the jointer-planer to clean it up. Noticed right away that it had lost that cream-colored surface, and started showing some signs of spalting and interlocking grain.
Had my son rip it to width:
Things got a lot weirder when I resawed the blanks for a four-corner book match. A lot more spalting in the white sapwood. Meanwhile, the red heartwood was on such a tight radius that even just taking out the width of the resaw blade, the grain didn't line up in a bookmatch. The heartwood would be present on 3/4 of the width of the front face of the board, and almost non-existent on the back face, within half of an inch. I don't know if that is a common thing with exotics, but I'd never seen it before.
The grain just didn't line up right for a bookmatch, so I decided to just align it to the upper boundary of the heartwood. A little off the bottom of one piece, off the top of the other, until I had a reasonably decent match at each corner. Then I ran a top and bottom groove for the lid and bottom on the router, and turned them over to my son to cross-cut:
Much to my pleasant surprise, the end grain planed like butter. Beautiful shavings, minimal effort. Because it was so smooth and I had cheap labor available, I didn't even bother pre-mitering the ends, just put my son on the miter plane and donkey's ear.
Next came glue, tape, and a lot of shellac. I learned from someone on here that alcohol removes pencil marks, and I am now grateful for that knowledge. I hate shellac. I used it here because it dries fast and doesn't stink, but there is an art to applying it, and I have not acquired that art yet. I did better this time, though. Thinned it out of the can by about 50%, then used a rag instead of a brush. Far fewer streaks than I had on last year's box, though I still ended up with some build-up and runs at the board ends. Not as bad as previous efforts, but it reminded me of why shellac always frustrates me.
I picked up some Orange Agate from Woodcraft after their 20% off Covid sale. I've never worked with it before, or quite frankly even heard of it before. On the outside, it looked like a fairly tight, dense grain with a creamy color, not unlike holly, and then a very red heartwood core. I'm a sucker for contrast. I didn't have any plans for it other than a vague notion of making some sort of stool, bench, or side table out of it. But making a box for my son's teacher seemed like as good an idea as any.
Quick trip to the jointer-planer to clean it up. Noticed right away that it had lost that cream-colored surface, and started showing some signs of spalting and interlocking grain.
Had my son rip it to width:
Things got a lot weirder when I resawed the blanks for a four-corner book match. A lot more spalting in the white sapwood. Meanwhile, the red heartwood was on such a tight radius that even just taking out the width of the resaw blade, the grain didn't line up in a bookmatch. The heartwood would be present on 3/4 of the width of the front face of the board, and almost non-existent on the back face, within half of an inch. I don't know if that is a common thing with exotics, but I'd never seen it before.
The grain just didn't line up right for a bookmatch, so I decided to just align it to the upper boundary of the heartwood. A little off the bottom of one piece, off the top of the other, until I had a reasonably decent match at each corner. Then I ran a top and bottom groove for the lid and bottom on the router, and turned them over to my son to cross-cut:
Much to my pleasant surprise, the end grain planed like butter. Beautiful shavings, minimal effort. Because it was so smooth and I had cheap labor available, I didn't even bother pre-mitering the ends, just put my son on the miter plane and donkey's ear.
Next came glue, tape, and a lot of shellac. I learned from someone on here that alcohol removes pencil marks, and I am now grateful for that knowledge. I hate shellac. I used it here because it dries fast and doesn't stink, but there is an art to applying it, and I have not acquired that art yet. I did better this time, though. Thinned it out of the can by about 50%, then used a rag instead of a brush. Far fewer streaks than I had on last year's box, though I still ended up with some build-up and runs at the board ends. Not as bad as previous efforts, but it reminded me of why shellac always frustrates me.
Math is tough. Let's go shopping!